This film investigates a science fictionalised exploration into the artist’s former relationships, particularly with that of dyke-iness. This results in a queer movement and bodily abjection in response to searching for modes of home and unhome-liness not based upon patrilineal spatialities of biological kinship. Taking the form of a moving image work that “functions” as a container or vessel, or maybe a digitised and chaotic sonic and video collage, the artist focuses on the specifics of transition (pun intended); the harsh cut or fluid, pixelated merging of various scenes, landscapes, and bodies. This has culminated in a piece of work that fluctuates between fast and slow movements and methodologies of queer intimacies and lamentations of the home in relation to the queer body and queer socialities.